Please note that one benefit of 49 Writers membership is discounted pricing for our classes. If you’re unsure about your membership status or have payment questions, inquire by email (info@49Writers.org) or phone. When registering for classes, select your appropriate status — member or nonmember — from the dropdown menu for the class(es) you choose and then click “Pay Now”. Separate registration payments are required for each class, and to purchase or renew your membership. You do not need a PayPal account to register for 49 Writers classes, though we use the secure PayPal platform. If you would like to make a payment without logging into PayPal, simply click “Pay with a debit or credit card” below the PayPal login box on the right side of the payment page.  

Spring 2017 Classes

ANCHORAGE | Obsession & Revision | Poetry
Instructor: Roger Reeves

Wednesday, February 15, 2017 / 3 hours / 6-9 PM
Members: $45 | Nonmembers: $55 | Cap: 10
All experience levels
Location: Alaska Humanities Forum, 161 E 1st Ave, Door 15, Anchorage, AK 99501

In this poetry workshop, we will close-read two poets: Larry Levis and Brigit Pegeen Kelly. In close-reading these two poets, we will examine how they revise the poem within the poem, playing with image, diction, and rhetoric. What I hope we accomplish through this investigation is an understanding of how an image is deployed in a poem, and through interrogating the image, through a constant re-working of the image, how the poem is generated.

Roger Reeves received an M.F.A. in creative writing and a Ph.D. in English from the University of Texas, Austin. His poems have appeared in Poetry, Ploughshares, American Poetry Review, Boston Review, Tin House, Best American Poetry, and the Indiana Review, among other publications, and he was included in Best New Poets 2009. Reeves was awarded a Ruth Lilly Fellowship from the Poetry Foundation in 2008; he is also the recipient of two Bread Loaf Scholarships and a Cave Canem Fellowship. In 2012, Reeves received a National Endowment for the Arts Fellowship and a Pushcart Prize for his poem “The Field Museum.” He is an Assistant Professor of Poetry at the University of Illinois, Chicago, and a 2014–2015 Hodder Fellow at the Lewis Center for the Arts, Princeton University. King Me (Copper Canyon Press, 2013) is Reeves’s first book.

SOLD OUT

Are you a current member?

Also, don’t miss Roger’s public appearances:
Juneau, February 14, Mendenhall Valley Library, 6 pm, Reading & Craft Talk
Anchorage, February 16, Crosscurrents with Joan Naviyuk Kane
Fairbanks, February 17, UAF Midnight Sun Reading Series


JUNEAU | Brian Castner | Nonfiction
Authentic Storytelling for Extraordinary Circumstances

Saturday, March 11, 2017 / 6 hours / 10-4 PM
Members: $90 | Nonmembers: $115 | Cap: 10
All experience levels
Location: APK Building classroom, 395 Whittier Street, Juneau

Brian Castner—an Iraq veteran who has written about war and crisis, from Africa to the Arctic—will guide this nonfiction workshop, focusing on stories of people in extraordinary situations. Crafting such stories in an authentic way can be an outsized challenge for writers. Former soldiers can struggle to tell their own story. Those without personal experience can be intimidated to even try; the hunt, the sea, the conflict, is not “what they know.” This class will break down those barriers by exploring what makes extreme stories still human and accessible. Open to every writer, we’ll read and do generative exercises to get at the heart of a true war story, whether out in a combat zone or a rescue in the Alaskan bush.

Brian Castner is a nonfiction writer, former Explosive Ordnance Disposal officer, and veteran of the Iraq War. He is the bestselling author of All the Ways We Kill and Die, and the war memoir The Long Walk, which was adapted into an opera and named an Amazon Best Book for 2012. A contributing writer to VICE, his work has also appeared in the New York Times, Washington Post, The Atlantic, Wired, Foreign Policy, Outside, Buzzfeed, Boston Globe, Time, The Daily Beast, the Los Angeles Review of Books, and on National Public Radio. He has twice received grants from the Pulitzer Center on Crisis Reporting, to cover the Ebola outbreak in Liberia in 2014, and to paddle the 1200 mile Mackenzie River to the Arctic Ocean in 2016. His latest project, a co-edited collection of short stories titled The Road Ahead, was published this month.

Are you a current member?

Don’t miss Brian’s public appearances
Juneau: Reading & Craft Talk Series | Who Owns The Story?
Friday, March 10, 2017, 6 pm, Mendenhall Valley Library, FREE
Joan Didion said that a writer is always selling somebody out. Brian Castner will talk about his new book, “All the Ways We Kill and Die,” the story of the death of a fellow soldier and search for the Afghan bomb-maker who killed him, and what nonfiction authors owe their subjects when writing about their innermost lives.

Anchorage: Crosscurrents event | Who Owns the Story?
Sunday, March 12, 2017, 6:30 doors, 7 pm start, 49th State Brewing Co. Theater
Story ownership continues to be a contested issue within the literary community. Brian Castner (The Long Walk and All the Ways We Kill and Die) and Don Rearden (The Raven’s Gift and the forthcoming co-authored Never Quit) will discuss how they navigated these waters not only in the telling of war stories, but also as writers challenged with conveying Arctic and indigenous narratives against the backdrop of a warming planet. Join us for a night that promises to be lively discussion. Moderator: Matthew Komatsu.


ANCHORAGE | Lynn Lovegreen | All genres
Playing with Description

Saturday, March 11, 2017 / 3 hours / 2-5 PM
Members: $45 | Nonmembers: $55 | Cap: 11
All experience levels
Location: Alaska Humanities Forum, 161 E 1st Ave, Door 15, Anchorage, AK 99501

Good writers use description to set scenes, reveal character, produce images, and establish voice. We’ve all read great lines or sentences that describe perfectly, or winced when a writer does too much or not enough. How do we utilize the power of description most effectively? Together, we’ll explore the art of description through reading and discussion of examples, in-class writing exercises, and consideration of specific audiences, genres, and styles. This no-homework, one-time class will equip and inspire you to enliven your own writing with crisp, impactful descriptions.

Lynn Lovegreen grew up and remains in Alaska. She taught for twenty years before retiring to make more time for writing. She enjoys her friends and family, reading, and volunteering at her local library. Her young adult/new adult historical romances are set in the Alaska Gold Rush, a great time for drama, romance, and independent characters.

Are you a current member?

ANCHORAGE | Susanna J. Mishler | Poetry
Walking the Line

Saturday, April 8, 2017 / 4 hours / 2-6 PM
Members: $55 | Nonmembers: $65 | Cap: 11
All experience levels
Location: Alaska Humanities Forum, 161 E 1st Ave, Door 15, Anchorage, AK 99501

What exactly is a poetic line made of? What difference does it make where the line “breaks?” In this workshop participants will examine lines by contemporary English-language poets which are used to achieve very different effects. We will also experiment with lineation strategies and types with in-class exercises. Our exercises and guided discussion will help illuminate what makes a strong poetic line, and how an understanding of poetic lines can enhance our own writing and reading. Suitable for poets and prose writers, as well as readers who would like to broaden their knowledge of poetic craft.

Susanna J. Mishler’s poems have appeared in Alaska Quarterly Review, The Iowa Review, Michigan Quarterly Review, Mid-American Review, Kenyon Review Online, and elsewhere. Her first collection of poems, Termination Dust, was published by Red Hen Press/Boreal Books in 2014. Susanna holds an MFA in Poetry from The University of Arizona in Tucson, where she served as a poetry editor for Sonora Review. She’s the recipient of a Peter Taylor Fellowship in Poetry from the Kenyon Review Writer’s Workshop, and the Bill Waller Writing Award from the University of Arizona.

Are you a current member?

FAIRBANKS | Erica Watson | Prose
Minding the Minutiae

three consecutive Saturdays, April 8, 15, 22, 2017 / 3 hour sessions (9 total) / 2-5 PM
Members: $125 | Nonmembers: $145 | Cap: 10
All experience levels
Location: TBA, Fairbanks, Alaska

For many of us, the drive to write comes not from a need to tell a particular story, but rather to explore an idea, a fragmented memory, or an obsession. There is often a great distance between what interests the writer and what compels a reader. In this course, students will focus on techniques for identifying and relaying meaning to readers. We will study writers who produce dynamic and thoughtful nonfiction books and essays using their own lives as starting points rather than primary subjects. We will examine how research, metaphor, and syntax can propel narratives of discovery, even if, as many of us fear about our own lives, nothing much actually happens. Students will produce new work in class, provide each other with feedback, and leave with tools to move their work forward.

Erica Watson is an essayist living on the boundary of Denali National Park. She is a 2014 graduate of the University of Alaska Anchorage MFA program, where she was awarded the Wenger Award for Excellence. Her work has appeared recently in Edible Alaska, Pilgrimage, the Denali National Park Climate Change Anthology, and she has forthcoming pieces in Terrain.org and High Desert Journal

Are you a current member?

Fall 2016: Online Classes

Revise and Edit Online Workshops
Instructor: Deb Vanasse

Level: Intermediate to Advanced
4 weeks | 4 sessions (1.5 hours each) plus asynchronous online activities.
Online meet-up sessions on Tuesdays, 7 – 8:30 pm: Oct. 25 and Nov. 1, 8, and 15.

Member price: $195 | Nonmember price: $225

You’ve drafted a story, an essay, or perhaps an entire book. Now, how to notch up the quality so that publishers say yes? In this month-long workshop, author and editor Deb Vanasse will share strategies for perfecting your writing projects. You’ll learn to gain perspective on your drafts as you revise for intention, character, structure, foreshadowing, theme, and tone. You’ll also practice editing for language, repetition, redundancy, clarity, authenticity, and continuity. To guide our journey, we’ll use as a text Susan Bell’s The Artful Edit (purchased separately). While much of the work is individualized, this online workshop also includes four online “face to face” meet-ups to share inspiration and ideas.

Co-founder of 49 Writers and founder of the independent authors cooperative Running Fox Books, Deb Vanasse has authored seventeen books. Among the most recent are Write Your Best Book, a practical guide to writing books that rise above the rest; Cold Spell, a novel that “captures the harsh beauty of the terrain as well as the strain of self-doubt and complicated family bonds; and the “deeply researched and richly imagined” biography Wealth Woman. After thirty-six years in Alaska, she now lives on the north coast of Oregon, between Astoria and Seaside.

Fall 2016: Anchorage Classes

Fall 2016 classes in Anchorage take place in the Alaska Humanities Forum conference room located at 161 E 1st Ave, Door 15, Anchorage, AK 99501. We’re grateful for the generous donation of this comfortable, accessible classroom, which features free off-street parking, curated monthly exhibitions of Alaskan visual art, and more.

A note on this term’s classes: While our face-to-face classes currently scheduled all occur in Anchorage, we will have more programing, again, in Southeast Alaska and hopefully Fairbanks soon. In the meantime, our service to disparate communities via online classes and our active blog continues; we’ll also flesh out our new website with podcast-style recordings and lessons in the months to come.

If you’d like to propose a class to teach in Juneau, Fairbanks, or beyond for our Spring session, learn more and pitch it here.

 

Pitch Perfect: Fundamentals of the Freelance Pitch
Instructor: Bree Kessler

Saturday, October 1, 2016 / 3 hours / 2-5 PM / Cap: 12
Members: $45 | Nonmembers: $55
Location: Alaska Humanities Forum, 161 E 1st Ave, Door 15, Anchorage, AK 99501

Students will learn the fundamentals of pitching stories and articles to local and national print and online magazines, including pitching etiquette, standard templates, and how to determine story angles for specific publications. By the end of the course, students will prepare a sample pitch, receive feedback, and learn about standard pay rates.

Bree Kessler is a freelance writer and the author of the travel guidebook Moon Big Island of Hawaii. Until recently, she was a faculty member at University of Alaska Anchorage. Her writing on topics such as community gardening, reproductive health, bluegrass music, and reality TV has appeared in several regional and national publications.

Writing Music and Grief: A Duet
Instructor: Shannon Huffman Polson

Saturday, October 15th, 1-4 pm / Cap 12
Members: $45 | Nonmembers: $55
Location: Alaska Humanities Forum, 161 E 1st Ave, Door 15, Anchorage, AK 99501

Through reading, writing, and discussion with Shannon Huffman Polson, students will engage a duet of topics. Walter Pater famously said that all art constantly aspires to the condition of music, and yet the form of music does not lend itself to be easily captured by the written word. We will reference examples of how music can be used in narrative, and complete a writing exercise using our new found insights. Next, we’ll engage another difficult-to-convey topic. One of life’s most inarticulable experiences, grief has prompted many writers to plumb what Christian Wiman calls his “bright abyss”. We will consider various texts and complete a writing exercise designed to render the abyss more concrete.

Shannon Huffman Polson is an author, speaker, adventurer, and veteran. Her first book is North of Hope: A Daughter’s Arctic Journey (Harper Collins 2013), and her second is The Way the Wild Gets Inside: Field Notes from Alaska (2015). Her essay “Naked” won honorable mention in the 2015 VanderMey Nonfiction Prize, and other work has been published in River Teeth Journal, Ruminate Magazine, High Country News and others, including two anthologies. Polson works as Artist-in-Residence with Methow Arts supporting the literary arts in Okanagan County schools and is a member of Seattle7 Writers supporting literacy in King County. She has been a featured presented at literary festivals across the country, and taught at Hugo House Seattle and as visiting faculty for the Whidbey Writers MFA. Polson holds an AB in English Literature from Duke University, an MBA from the Tuck School at Dartmouth, and an MFA in Creative Writing from Seattle Pacific University. She lives in northeast Washington with her family.

Two-sided Truths: Writer and Persona
Instructor: Jonathan J. Bower

6-9 PM on Wednesdays: October 26, November 2, 9, 16  / 12 hours total / Cap: 10
Members: $185 | Nonmembers: $220
Location: Alaska Humanities Forum, 161 E 1st Ave, Door 15, Anchorage, AK 99501

Fiction writer Ron Carlson often speaks to writers about “the story under the story” – the deeper, universal tale that runs under the surface of successful, well-crafted short stories and novels. Many nonfiction writers struggle to recognize the best way to couch experience within a believable, lively persona on the page, a character separate from our “real, everyday self”. How can we craft lived experience into writing that resonates with readers? In this four week nonfiction workshop, we’ll engage in prompts and assignments in and out of class. Students will learn to evoke deeper truths by distinguishing the person who experienced the story from the persona who lives on the page.

Jonathan Bower is a freelance writer and musician living with his two sons in Anchorage. His essays have been featured in the Anchorage Press and Alaska Public Media. His 2014 album of original music, Hope, Alaska, earned him appearances on local radio, print media, and television outlets. Earlier this year, Jonathan launched a blog, In Between the Hours, comprised of dispatches in prose and photography “from the crossroads of parenting and art-making” (www.inbetweenthehours.com). Jonathan enjoys teaching and moderating writing workshops as often as opportunities present themselves, finding few spaces more enlivening or engaging as a gathered “community of writers.”

JBow

Writing Motherhood, A Workshop
Instructor: Julia O’Malley

Saturday, November 5, 2016 / 6 hours / 10 am – 4 pm | bring your lunch / Cap: 10
Members: $95 | Nonmembers: $120
Location: Alaska Humanities Forum, 161 E 1st Ave, Door 15, Anchorage, AK 99501

This is a no-homework, extra accessible nonfiction workshop that explores the topic of motherhood. Writers will generate material with exercises meant to promote writing fluency and creative thinking. They will go through a facilitated process of sharing, listening and generating useful feedback. They will then look at strategies for revision, with an eye toward coming out of the workshop with a complete essay draft. (Sense of humor a must!)

Julia O’Malley is a mother of two and a freelance writer who lives in Anchorage. Her work has been published by National Geographic, Talking Points Memo, the Guardian, Saveur, and Smithsonian Journeys among other publications. She is also Atwood Chair of Journalism at UAA. Previously she worked as a reporter and columnist for the Anchorage Daily News for 10 years. She blogs about Alaska food, travel, and culture at juliaomalley.media.