August 2015

From The Archives: Deb Vanasse on Transcendence

“I’m in love,” says Reagan Arthur, editor of the eponymous imprint at Little Brown Books. “I can’t wait to see what happens next.” That’s how Arthur describes her response to exceptional books. Editors, agents, and readers often speak of books this way, with passion. Can this sort of book love be pinned down, described, analyzed?  Consider Anne

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From the Archives: Deb Vanasse on Character Reins

When we are convinced by qualities of character we cannot entirely reconcile, we are in the presence of mystery. ~Catherine Brady Recently I re-read Marilynne Robinson’s Housekeeping, one of the finest American books of the past few decades. Some will disagree heartily; in fact, such was the prevailing attitude when Robinson completed the manuscript. In an interview

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Erin Hollowell: Haiku You

Last year I had a big poetry manuscript project that I was working feverishly on. This year, I knew that I would finish that project in the first quarter, and I worried that I might just stop writing. This is a common fear of writers, that the last thing we’ve written will be the LAST

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Spotlight on Alaska Books: The Creatures at the Absolute Bottom of the Sea by Rosemary McGuire

Long after dark, they got the last crab pot strapped down. Jim climbed over the load checking the lashings that held the stack, though it was dark already, the deck slick with sleet and more rain falling on the wind that rolled in off the Bering Sea.  The lights of town pricked through the night.

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From the Archives: Deb Vanasse on Voice Matters

“Typically, when your mother starts to dislike your writing, that’s when you’ve really found your voice.” ~Abraham Verghese     Voice matters. A lot. “Voice is the number one thing that separates the published from the unpublished and, after that, the good books from the mediocre ones,” says Mary Kole of the Andrea Brown Literary Agency. Agent

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