2021

Rosy Posits: By Sean Ulman

Rosy Posits Birds. Words. We search for both. Sometimes we find them. And occasionally they are rather good ones, subjectively at least. I like my taste in the birds I see and hear, and I’ve learned to value every word that I write. But when the object is for many to enjoy as well, there’s […]

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Kachemak Bay Writers’ Conference Evolving: By Erin Hollowell

This May 15-18 will mark the return of the Kachemak Bay Writers’ Conference after a year’s hiatus. For nineteen years, the conference has brought together hundreds of writers from around the state and the country to learn from nationally-renowned faculty. Over the past year, the newly expanded Advisory Committee has been discussing how to help

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Writing in a Time of Pandemic: Richard Stokes and Juneau’s Burn Thompson Writers

As the pandemic worsened in early 2020, Juneau’s Burn Thompson Writing Group, like so many others, shifted from in-person to ZOOM meetings. Our routine had been that each of the 6-10 attendees at twice-monthly gatherings passed out copies of their work, then read it aloud. The others then offered suggestions and asked questions, often marking

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Truth From Poets: A review of Carolyn Forches’ “What You Heard is True” by Mary Odden

The poet and memoirist Carolyn Forché joined the book club in the Copper Valley via Zoom on January 30 to talk about What You Have Heard is True, her experiences in El Salvador careening toward its 12 years of civil war. Her grace in spending time with us, and what she shared, will be with us

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Andromeda Romano-Lax: Making the most of your launch and the writing of promotional “supplementary essays,” Part Two.

Last month, I wrote about things you can do—like developing relationships with other authors and engaging authentically on social media—one to three years before your book is published. Today I’m going to talk about a narrower yet still significant opportunity window, up to a year before pub date and for many months after. Obviously as

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Revisiting Fine Work from 2013: Debra Gwartney: A Few Thoughts on Writing Scenes (for memoir writers)

Debra Gwartney is the author of I am a Stranger Here Myself, a memoir published in 2019 for which she was awarded the River Teeth Literary Nonfiction Prize.  Last year she won the WILLA Literary Award in Creative Nonfiction from Women Writing the West. She has also been a finalist for the National Book Critics Circle Award, the Pacific Northwest

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Cummiskey Alley, a new book of poems by the Alaskan Tom Sexton

Review by Dan Branch Tom Sexton has always seemed pretty Alaskan to me. But, he grew up in Lowell, Massachusetts. He served in the Army at Anchorage’s Ft. Richardson, and eventually obtained an MFA from the University of Alaska in Fairbanks. Then he established a Creative Writing Program at the University of Alaska, Anchorage. Twenty-four

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